Saturday, April 19, 2014
Tuesday, April 15, 2014

(Source: transparalyze)

bluedogeyes:

Alien vs Predator by Terry Huddleston

falcaolucasart:

2 Seconds of Eternity
by FalcaoLucas

falcaolucasart:

2 Seconds of Eternity

by FalcaoLucas

Tuesday, April 8, 2014
poboh:

Shimotsuke Kurokamiyama Kirifuri no Taki (下野黒髪山きりふりの滝) / The Kirifuri Waterfall on Mount Kurakami in Shimotsuke Province, Katsushika Hokusai / 葛飾 北斎. Japanese (1760 - 1849) (From the series Shokoku taki meguri  諸国瀧巡り [A Tour of Japanese Waterfalls]

poboh:

Shimotsuke Kurokamiyama Kirifuri no Taki (下野黒髪山きりふりの滝) /
The Kirifuri Waterfall on Mount Kurakami in Shimotsuke Province,

Katsushika Hokusai / 葛飾 北斎. Japanese (1760 - 1849)
(From the series Shokoku taki meguri  諸国瀧巡り [A Tour of Japanese Waterfalls]

Sunday, March 23, 2014

(Source: michaelemason)

iskiii:

lone

iskiii:

lone

(Source: wwfive)

Wednesday, March 12, 2014

This scene in Inglourious Bastards, this particular part, was so brilliantly written. The characters are playing a game where you sit in a circle and write a famous person’s name on a card, flip it over, pass the card to the person next to you and stick it to your head without looking. Then you ask everyone questions to figure out who it is. This man- a Nazi commander- asked “Am I American?” (no but..) “Have I visited America?” (yes) “Was my visit fruitious?” (no) “Did I go against my will?” (yes) “Am I from a place you’d call exotic?” (yes) “Am I from the jungle?” (yes) “Did I go by boat?” (yes) “And when I got there was I bound with chains and presented in front of a crowd?” (yes!) “Well then. I know who I am. An African slave. No? Oh then I’m King Kong.” — and in one instance the viewer realizes the metaphor which King Kong was to the African slave trade (a truly Tarantino way of inserting social awareness through dialogue spoken by social oppressors) as well as takes a moment of almost comic relief to a very strange middle ground since we see just how intelligent and foolproof this man is. This is good filmmaking. 
This scene in Inglourious Bastards, this particular part, was so brilliantly written. The characters are playing a game where you sit in a circle and write a famous person’s name on a card, flip it over, pass the card to the person next to you and stick it to your head without looking. Then you ask everyone questions to figure out who it is. This man- a Nazi commander- asked “Am I American?” (no but..) “Have I visited America?” (yes) “Was my visit fruitious?” (no) “Did I go against my will?” (yes) “Am I from a place you’d call exotic?” (yes) “Am I from the jungle?” (yes) “Did I go by boat?” (yes) “And when I got there was I bound with chains and presented in front of a crowd?” (yes!) “Well then. I know who I am. An African slave. No? Oh then I’m King Kong.” — and in one instance the viewer realizes the metaphor which King Kong was to the African slave trade (a truly Tarantino way of inserting social awareness through dialogue spoken by social oppressors) as well as takes a moment of almost comic relief to a very strange middle ground since we see just how intelligent and foolproof this man is. This is good filmmaking. 

(Source: silends)